The Earthscraper, designed by BNKR Arquitectura, is the Skyscraper’s antagonist in the historic urban landscape of Mexico City where the latter is condemned and the preservation of the built environment is the paramount ambition. It preserves the iconic presence of the city square and the existing hierarchy of the buildings that surround it. More images and architects’ description after the break.


When the Spanish arrived in America and ultimately conquered the Aztecs, they erected their Christian temples atop their pyramids. Eventually their whole colonial city was built on top of the Aztec one. In the 20th century, many colonial buildings were demolished and modern structures raised on the existing historic foundations. So in a way, Mexico City is like a massive layered cake: a modern metropolis built on the foundations of a colonial city that was erected on top of the ancient pyramids that were constructed on the lake.



The design is an inverted pyramid with a central void to allow all habitable spaces to enjoy natural lighting and ventilation. To conserve the numerous activities that take place on the city square year round (concerts, political manifestations, open-air exhibitions, cultural gatherings, military parades.), the massive hole will be covered with a glass floor that allows the life of the Earthscraper to blend with everything happening on top.
Architect: BNKR Arquitectura
Location: Mexico City, Mexico
Partners: Esteban Suárez (Founding Partner), Sebastián Suárez
Project Leader: Arief Budiman
Project Team: Arief Budiman, Diego Eumir, Guillermo Bastian, Adrian Aguilar
Collaborators: Jorge Arteaga, Zaida Montañana, Santiago Becerra
Area: 775,000 m2
Status: Competition
Photography: Sebastian Suárez
Location: Mexico City, Mexico
Partners: Esteban Suárez (Founding Partner), Sebastián Suárez
Project Leader: Arief Budiman
Project Team: Arief Budiman, Diego Eumir, Guillermo Bastian, Adrian Aguilar
Collaborators: Jorge Arteaga, Zaida Montañana, Santiago Becerra
Area: 775,000 m2
Status: Competition
Photography: Sebastian Suárez



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